5/29/2023 0 Comments Olivia wilde naked23, it will elevate Wilde to a short list of top-tier women directors - and an even shorter list of female actors-turned-directors (Elizabeth Banks, Jodie Foster, Greta Gerwig, Maggie Gyllenhaal, Rebecca Hall, Angelina Jolie, Regina King, Barbra Streisand and … that’s about it). If the film, which had a budget of about $20 million, succeeds at the box office when it opens on Sept. The stakes are indeed high for “Don’t Worry Darling,” which debuts at the Venice Film Festival on Sept. I really feel, at this point, that I have earned the right to say I’m a director.” It struck enough of a nerve of the cultural zeitgeist that I was allowed to have another opportunity. “Fewer people will invest in the second film of a woman than a man,” she says. “It’s harder for women to get a second chance at directing,” Wilde says, recognizing that “Booksmart” was a critical triumph but by no means a box office smash, making $25 million on a $6 million budget. Showing up alone with no security, she doesn’t seem like someone who’s constantly dodging paparazzi on the cobblestone streets of London - where she lives with her two children, Otis, 8, and Daisy, 5 - being one of the most talked-about celebrities of the moment. Without makeup, except a smudge of leftover eyeliner, Wilde looks more like a film student than one of Hollywood’s up-and-coming directors. “People were looking at me in the bathroom like I probably shouldn’t be here,” says Wilde, seated at a back corner table of the tearoom where she goes unnoticed amid the sea of pastel-adorned guests in pumps and pearls. On this July afternoon, she has come to Claridge’s directly from a pottery class, with dried clay on her arms when she arrives. Wilde, whose acting credits include everything from the medical drama “House” to Ron Howard’s “Rush” and Clint Eastwood’s “Richard Jewell,” is wearing a black T-shirt, baggy jeans and scuffed-up Converse low tops. My early conversations with the cast were all about how the audience has to buy into the fantasy.” I think it’s integral to the story itself and how the audience is meant to connect to them. “The impractical nature of their sex speaks to their ferocious desire for one another. “It’s all about immediacy and extreme passion for one another,” Wilde says of the film’s complicated central relationship. Wilde, 38, sees the world through a post-feminist prism, and the women in her films drive action on their own, without the help of men. “Why are we more comfortable with female pleasure when it’s two women on film? In hetero sex scenes in film, the focus on men as the recipients of pleasure is almost ubiquitous.” I think we need to dig deep to reconstruct the cliché surrounding sustainability in beauty and allow people to understand that they can indulge in skincare and feel like they are treating themselves, even if it's something that's actually very good for the environment.“Female pleasure, the best versions of it that you see nowadays, are in queer films,” Wilde says. "If it's environmentally responsible, if it is better for your health, it can't be indulgent. "People tend to equate indulgence with something that is naughty," she said. She told Vogue that she also hopes the campaign shows people that being environmentally friendly and using healthy ingredients doesn't have to kill the mood. That's what my beauty ritual is: Taking care of myself and celebrating my body at this stage of my life." I enjoy the opportunity to take care of myself. "I am someone who has had two babies, I'm in my late thirties, and I love my body now more than I ever have. " our relationship to our bodies and celebrating our bodies, we all come to that from very different perspectives and experiences," Wilde said. RELATED: Olivia Wilde Says This Face Oil "Completely Changed" Her SkinĪlong with promoting the brand's new campaign, the imagery aimed to give back the control to Wilde - and other women.
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